Description
Erscheinungsdatum 18. November 2020
Anzahl der Seiten, Gewicht, Größe 848 Seiten | 152*210*60mm
《Das Corner Museum 2: Korea》 versammelt 10 Meister der koreanischen Kunst aus dem 20. und 21. Jahrhundert in einer Ecke des Raumes und verfolgt beharrlich ihr Leben und ihre Kunstwelt. Ungno Lee, der Weltklasse-Gründer der Kunstwelt, Hye-seok Na, eine neue Frau, die schrie: „Frauen sind auch Menschen“, Whanki Kim, der den höchsten Preis von 13,2 Milliarden Won in der koreanischen Kunstauktionsgeschichte erzielte, und Nam-june Paik, ein Pionier der Videokunst, der ein Meister aller Arten von Happenings und Performances war! Es erzählt nicht nur aufregende Geschichten von Künstlern, die die koreanische zeitgenössische Kunst auf aufregende Weise mit einzigartigem und witzigem Storytelling repräsentieren, sondern enthält auch insgesamt 150 Gemälde, die einen farbenfroheren und reichhaltigeren Anblick bieten als jedes andere koreanische Kunstbuch.









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Omar Azad from Los Angeles, USA (verifizierter Besitzer) –
I initially approached ‘Corner Gallery 2’ with a blend of skepticism and curiosity. Could the world of Korean art genuinely capture my attention from across an ocean? Yet, as I turned each page, richly textured stories unraveled before me like vibrant tapestries woven in vivid hues. Each artist’s tale is compelling — take Whanki Kim for instance; his vision transformed not only canvas but also public perception by breaking barriers long held in admiration circles. Amidst resplendent visuals showcasing brushes moving against life’s gritty backgrounds, Nam-june Paik’s pioneering approach sparks fire even into one’s memory bank decades after our screens first blared artistry rather than commerce! This monumental work urges connection and appreciation through colors swirling amid contradictions that resonate beyond cultures far-flung.
Elena Fratelli from Rome, Italy (verifizierter Besitzer) –
Experiencing the fusion of tradition and modernity through these artists brings a spark to anyone’s perception. Each piece transports you, capturing intricate narratives unique to their times.
Alejandro Rivas from Mexico City, Mexico –
Delving into “The Corner Museum 2” proves to be a delightful escapade, capturing the artistic whispers of modernity in an enchanting exploration. Alejandro might resonate with Whanki Kim’s astonishing narrative as it invokes nostalgia blended intricately with elegance—witnessing strokes evolve beyond canvas and speak volumes within quiet corners. It’s rather fascinating how Hye-seok Na passionately emerges amidst shadows that often cloud female voices, transforming silence into affirmations during challenging societal narratives. In splendid depth, this visual anthology uncovers unblemished joy among beautifully evocative artwork; together they summon powerful reflections of South Korean history—and personal triumphs quietly behind resilient smiles.
Dewi Rahardja from Bali, Indonesia –
Navigating through the artistic terrain laid out in ‘The Corner Museum 2’, one can’t help but be enveloped by a unique medley of stories and visuals. Each artist represented – with their lives threaded through politics, passion, and societal evolution – paints not just on canvas but across generations’ minds. The adept mixture of cultural commentary intertwined within contemporary themes emphasizes an unapologetic identity deeply rooted yet ambitiously future-facing. Artworks explode off pages—each painting offers textured anecdotes reverberating with distinct philosophical undertones and histories unspoken until now.
Caitlin Prescott from New York City, USA –
I approached the ‘Corner Gallery 2’ with a mix of curiosity and hesitation, given how saturated art narratives often seem these days. However, as I turned each page filled with vivid images and rich tales from artists such as Ungno Lee to Nam-june Paik, my skepticism dissolved into appreciation. The book deftly combines insightful commentary about socio-political influences alongside stunning visual displays—each artist’s journey is narrated not merely through their creations but also within cultural contexts that are incredibly pertinent even outside Korea. It’s an enriching exploration rather than just another gallery walkthrough—a celebration woven in texture and depth; thoroughly engaging for any lover of contemporary art.
Juliette Vandermeer from Amsterdam, Nederland (verifizierter Besitzer) –
Hoek Galerij 2 is een onthulling! De krachtige vertellingen van invloedrijke kunstenaars en hun unieke stijl versterken de pracht van de hedendaagse kunst. Elk schilderij nodigt uit tot reflectie.
Evelyn Smit from Amsterdam (verifizierter Besitzer) –
Bij het lezen van “The Corner Museum 2” word je getransporteerd naar de levendige wereld van hedendaagse kunst, een amalgaam dat de geest en expressie weerspiegelt van meesterlijke kunstenaars uit twee eeuwen. De visuele verhalen die met elegantie zijn verweven, ontrafelen niet alleen hun techniek maar ook hun emotionele reis door geluid, kleur en verhaalvorm. Ieder schilderij fungeert als een venster waarin gevoelige thema’s zoals gendergelijkheid op fabelachtige wijze tot leven komen, resoneren bij elke penseelstreek of beweging binnen video-installaties die technologie omarmen voor creatieve communicatie. Een aanstekelijke collectie; lezers zullen met verlangen bladeren over meer dan zestig werkjes waarin sociale context glinstert naast artistieke innovatie.
Margot Zhang from Vancouver, Canada (verifizierter Besitzer) –
A remarkable dive into art’s whispers, breathing life into brushes and tales that speak long after the ink dries. Each page teems with passion!
Anastasia Holloway from New York, USA (verifizierter Besitzer) –
In a hidden nook of New York’s East Village, I stumbled upon whispers of colors that painted my very essence. Corner Gallery’s masterpieces stirred not just my sight but delved deeper into shared stories.
Jasmin Riley from Vancouver –
Embarking on an exploration of artistic expression, *Corner Gallery 2* gracefully bridges the pulse of contemporary visionaries. This rich tome whispers tales from artist life arcs etched into landscapes barely traversed by time—there exists an urgency that amplifies their historical relevance against modern backdrops rife with complexity and innovation. As I sift through its luminous pages housing Whanki Kim’s sublime reflections and Nam June Paik’s magnetic breakthroughs in a realm electrified by imagery, every visual cue feels like confronting unfettered freedom itself—bursting boundaries not only in culture but evoking profound emotions intimately known to mankind.