Description
[DESCRIPTION]
- SOFT-MATTE TEXTURE : Soft as meringue, light as a feather.
- EVER-LASTING AIRY FIT : A very even and moisturized absorption for the lips that is also sustainable of its initial color for as long as you desire.
- INSPIRING COLOR PIGMENTS : The color was inspired by classical literature has depth in its uniqueness.
- Dinto Blur-Finish Lip Tint presents a calm and gentle mood with a soft and serene feature consisting of half-toned, low-saturated colors.
#101 Fair Hesse : Fair Hesse has the color that can imagine a ballerina in pink swept by a dreamy melody and dancing along the bright stage. The unique pink with a drop of Marsala will let your lips be natural, but mysterious. This is a daily color even suitable for a full lips make up on a lazy day.
#102 Lusty Woolf : Lusty Woolf has the color that can imagine the comforting sunset hiding behind the clouds on a quiet evening. The attractive mix of Toasted Coral and Rosal Brown will give you just that relaxing soft mood of an evening sunset. This beautiful and classy color is the best appreciated when smudged along the lip line.
#103 Lonesome Maupassant : Lonesome Maupassant has the color that can imagine the firm stone wall flushed with French Gothic design. The deep brick red sprayed with vintage rose will create a deeply mellow and noir image just like in the old movies. This color is very distinctive between its light and heavy appliance.
#104 Wandering Miller : Wandering Miller has the color that can imagine a rose never loses its beauty even when it’s dead and dry. The vintage Rosepink with a light shade of Marsala reminds us of the elegant dried rose on a antique wooden tray. Celebrated works of Western painting love a good faded coloring, and so do we.
The 7 degree slanted highly elastic flat applicator is designed to provide a comfortable cosmetic experience. Even the most unskilled will have no trouble in evenly applying our product along the lip curves.
[HOW TO USE]
Apply directly to your lips, starting in the center and smoothing out toward the corners.
